Sir Charles Spencer Chaplin (1889–1977) is considered one of the first movie stars ever and made film history with his acting and his works. He is also one of the few artists who managed the transition from silent films to sound films.
Because of using archetypal imagery and symbols in his films, it is natural that the moon could also play a part somewhere. We found four references:
“Lady and the Tramp” made in 1955, belongs to one of the most beautiful and most successful cartoons by Walt Disney. The story of the elegant female dog Lady and the fun-loving vagabond Tramp, shows how love can overcome social boundaries. In reality, this is of course a human issue and not one of our four-legged friends. However – as usual with Disney – it has been staged simply convincingly. And this is how a good acquaintance joins Lady and the Tramp in the nightly scenery: the full moon.
The Christmas advertising campaigns of the well known English department store John Lewis, have developed into a yearly tradition since their start in 2007 and have become part of pre-Christmas Internet culture. John Lewis has been awarded the “IPA Effectiveness Award” with its 2012 Christmas campaign. This year, the video called “Man On The Moon” was published – parallel to the Christmas full moon on 25th December 2015.
Have you ever seen a face or shape of an animal in passing by clouds? This tendency of our perception to find structures within an image or a pattern, is called pareidolia (derives from Greek eidolon = picture). Essentially, this is a misperception where we see objects changing subjectively. But this can also be so much fun and inspire our fantasy to search for these shapes and to find them. Children, in particular, are known to be true masters of this game.
This classic of the surrealistic movie scene (the original in French »Un Chien Andalou«) by Luis Buñuel and Salvador Dalí, evoked mixed reactions when released in Paris, in 1929. Even from a current perspective, the movie polarizes, whereby its artistic value remains indisputable.
The approximately sixteen minute act consists of a series of individual sequences, which show different encounters of men and women. There are dream-like, symbolic, and partly absurd scenes that do not create a plot in the classic sense. Yet, the movie projects some sort of development, however, it remains incomprehensible.
The American astronaut David Scott (* 1932) conducted an interesting experiment on the Moon, toward the end of the Apollo 15 mission in July/August 1971. In front of a running camera, he dropped a hammer (2.9 lb) and a falcon’s feather (0.06 lb), just to prove Galileo Galileis’ (1564–1641) thesis that objects fall to the ground with the same speed, regardless of their mass, provided the air resistance does not slow them down, as it is the case on Earth. On our planet, this experiment could only be demonstrated in a vacuum.
Towards the end of the 18th century, over 200 years ago, Germany was about to be conquered by a new style of painting: the romanticism. The objective was, just as we understand it today, to emphasise feelings. But it was much more than this …
It was about the self-conception of an entire generation of artists, poets and musicians, who were trying to oppose the, up until then, reigning reason of the enlightenment era and also the classicism that was concerned with order. They countered with irrational contents i.e. fantasy, infinity or transcendency. It was what Wassily Kandinsky (1866–1944) expressed about the artist in general at a much later point in time: “The fortune of an artist is the possibility, to express longing in forms.”
Ho ho ho – not long now and Christmas will bring joy to the hearts of the people and “Santa Claus”, the name of Father Christmas in the United States and many other countries, will ride with his flying sleigh across the sky on Christmas Eve, pulled by his reindeer with plenty of gifts in his huge sack. Looking at this imposing depiction of this nightly sleigh ride, the full moon is quite often found in the sky.
In view of the two original principles »feminine« and »masculine«, it is tempting to attribute the feminine, receiving principle to the moon and the masculine, creative principle to the sun. And most languages, where nouns posess articles, do reflect this, like for example the Romance languages (French, Spanish, Portuguese, Italian). However, there are a number of languages, for example German, Norwegian, Polish, Slovenian, Serbian or Czech, where the moon is masculine.
So, does the moon contain more masculine quality, after all, than originally assumed?
As a general rule, we live our secular life by a so-called solar calendar, the Gregorian calendar, which determines our calculation of time since the end of the 16th century. The biggest advantage of a solar calendar is its connection to the seasons: it is warm in summer, cold in winter, at least this is how it should be … at times however, as we all know, the weather goes crazy and sunshine is long-awaited in summer and snow stays away in winter. The seasons are connected to the (solar) calendar months.
Repeated attempts have been made creating a connection between lunar phases and natural disasters. To our knowledge, it has not been possible so far, to establish nor prove a causal link. Of particular note is the well known earthquake and tsunami in the Indian Ocean in 2004, which happened at the full moon. Was this a coincidence? Were there other tsunamis that occurred during a full moon?