Sir Charles Spencer Chaplin (1889–1977) is considered one of the first movie stars ever and made film history with his acting and his works. He is also one of the few artists who managed the transition from silent films to sound films.
Because of using archetypal imagery and symbols in his films, it is natural that the moon could also play a part somewhere. We found four references:
One obviously has the night sky before one’s eyes when thinking of the full moon. In reality, however, the event »full moon« has nothing to do with the fact whether it is night or day for us. The full moon occurs when Sun – Earth – Moon form a line in space and exactly in this order. The Earth lies in fact between the Sun and the Moon. Depending on what time this happens, it is night on the hemisphere that is turned away from the Sun and you can see the Moon in the sky. But on the hemisphere that is turned towards the sun it is daytime at this point and the full moon cannot be seen, because when observed from this position it is actually behind the Earth.
The Spanish artist Salvador Dalí (1904–1989) was the most important advocate of surrealism in paintings. His pictures show fantastic and dreamlike scenes, which remain in your memory due to their expression and originality. We also asked ourselves, whether we would be able to discover the Moon in Dalí as well, just like in other paintings (e.g. by Marc Chagal, Paul Klee, Caspar David Friedrich, William Turner, Adam Elsheimer or Petrus van Schendel)? And after a little bit of searching, we managed to find something.
Who doesn’t know them, the fearless Gauls Asterix and Obelix, who have been making the hearts of comic fans leap for joy since decades and who impress again and again through witty texts and masterful drawings. The stories originate from the pen of the French illustrator Albert Uderzo (1927–2020), who created, together with his fellow countryman René Goscinny (1926–1977), the first comic in the year 1959, and with that, brought the adventures of the brave Gaul to life.
Today, we would like to focus on a more culinary subject of everything that can be eaten or drunk and is prepared in connection with the full moon. Apparently, there is a multitude of vendors (especially in Switzerland), who regularly manufacture their products at the full moon and who detect that the quality of their foods differs from the foods, which have not been produced in connection with any lunar happenings. These products appear to sell accordingly and successfully. We have not been able to fathom out whether this is really related to the Moon – it might also be that the consciousness of the acting persons is different, or that the customers bring along the appropriate willingness to appreciate the reference to the full moon.
As is generally known, the Moon is not a disc but a sphere and one could ask the question if we actually get to see different sides of this Moon sphere? The answer is: no! At least this is true for the observer from Earth.
Indeed, we always see one half of the Moon. This is because the Moon is locked into the Earth rotation. This is called »synchronous rotation«. It means that we are never able to see the side of the Moon facing away from us. And until it was possible to photograph the reverse of the Moon with space probes, nobody knew what we would find or how it would look.
Japan has a custom, which is called “Tsukimi” or also “Otsukimi” that literally means “moon-viewing” (tsuki = jap. Moon). This tradition dates back to the Heian period (794–1192) where Japanese culture and the arts were refined to a high degree. At that time, elements of the Chinese “Mid-Autumn Moon Festival” were introduced in Japan, and festivals and rituals were held in the eighth sun month (which corresponds to September in our current calendar).
“Koyaanisqatsi” is a film by the American director Godfrey Reggio, which was made between 1975 and 1982. The term “ko-yaa-nis-qatsi” derives from the language of the Hopi tribe and means “life out of balance” or “life in turmoil”. The movie manages without words, conveys its message with powerful images and haunting music by Philip Glass. It is a critical film that serves as eye-opener for the dark side of our civilization through comparing of poetic impressions of nature and images of the consequences of human activity. “Koyaanisqatsi” is the first part of a trilogy, followed by “Powaqqatsi” (1988) and “Naqoyqatsi” (2002).
The word “aggression” derives from the Latin verb “aggredi” which means »approach, attack«. This is interesting, because it does not only contain a destructive energy, but also a proceeding, solution-oriented energy. We also speak of tackling problems or approaching a task. During the course of the centuries, the component of attacking and destroying appears to have become dominant, so much so, that we judge aggression nowadays negatively and see the result to be destruction, violence and war. It is easily understandable now, why people are having such a difficult time to deal naturally with their aggressions that they express or restrain. We have put a negative mark on it. And we neither want to carry something negative inside us, nor do we want to voice it.
We would like to turn our attention to two interesting types of light apparitions around the Moon: halos and coronas. Both are optical phenomena in the atmosphere that, if looked at from a physical point of view, come about in different ways and also look dissimilar.
A halo (left picture) develops through refracting ice crystals and creates a clearly defined light ring around the Sun or the Moon, whereas the surface between the celestial body and the ring, almost appears to be empty. Light spots, light arches and pillars can also emerge.
There is a German poem called “Dunkel war’s, der Mond schien helle“, in which the first line has been dedicated to the Moon and which boasts special features. For one thing, nobody knows who wrote the poem, which is quite unusual coming from the “land of poets and thinkers”. For another thing, it is based on the principle of the “oxymoron”. This is a figure of speech that juxtaposes elements that are contradictory or that are created from mutually exclusive terms. Straight away, the first line reveals this principle, because it cannot be “dark” when the Moon is shining “bright”.